Dark Horse Nights
STAGED READINGS AT MAD HORSE
We are delighted to announce the return of Dark Horse Nights for Season 41!
Our Dark Horse Nights will look a little bit different this year, based on some of the unique scheduling demands of our mainstage productions. This season, we will be offering TWO reading nights this season, one each paired with Eureka Day and Mauritius.
Dark Horse Nights are opportunities to bring forward additional works and stories that align with the various productions in our mainstage season, curated to spark deeper conversations around shared themes, tones, and messages of these productions.
Our first Dark Horse Night title of Season 41 is
THE AMATEURS by Jordan Harrison,
directed by Company Member Lauren Stockless.
This reading will be held on Wednesday, October 14 during the run of Eureka Day.
Tickets for this event will be first come, first serve PWYD at the door.
Season 39 | Dark Horse Nights
ACCOMPANYING
THE LEGEND OF GEORGIA MCBRIDE
Letters To Morrissey by Gary McNair
Wednesday, May 7 at 7:30pm
Wednesday, May 21 at 7:30pm
Directed by Jake Cote
It's 1997. You're 11. You're sad, lonely and scared of doing anything that would get you singled out by the hopeless, angry people in your hometown. One day you see a man on telly. He's mumbling, yet electrifying. He sings: 'I am human and I need to be loved, just like everybody else does'. You become obsessed with him. You write to him. A lot. Letters to Morrissey is the third in a trilogy of often darkly comic works drawing on the joys and struggles of growing up in working class Scotland.
Thoughts from the director:
“There is something about being a teenager and finding refuge in lyrics, in song, in film, in books. Something about being your own person - having something that is yours. It helps you begin to whittle yourself down into the person you would like to be. ”
The reading includes company member Joe Bearor.
ACCOMPANYING
WOMEN LAUGHING ALONE WITH SALAD
JOANNE by Deborah Bruce, Laura Lomas, Theresa Ikoko, Chino Odimba and Ursula Rani Sarma
Wednesday, March 12 at 7:30pm
Wednesday, March 19 at 7:30pm
Directed by Riordan
Five characters share a common thread: Joanne. But it's not about her. It's about Stella, Grace, Alice, Kath, and Becky -- but what about Joanne? Commissioned by the women's prison theatre group Clean Break, some of the most exciting voices in theatre explore the pressures on our public services as one young woman buckles under pressures of her own.
Thoughts from the director:
“In Women Laughing Alone with Salad the story centers around one Guy whose life descends into madness because of the "women who haunt him." Guy is caught motionless in the eye of the storm while the women around him dance, laugh, cry, scream, and suffer because of it. Joanne however, provides a different perspective based on the same principle: this story orbits around a missing piece. By offering a glimpse into Britain's criminal justice system through the service workers surrounding it, Joanne gives audiences a chance to step into the shoes of women that are striving for connection within a system that is structurally opposed to empathy. This piece begs the question: How do strangers see us? What happens when they intervene in our lives? And more importantly, what happens when they don’t?”
The reading includes company member Marie Stewart Harmon and guest artists Hope Reardon and Chantal Moniba Austen.
ACCOMPANYING
Edward Albee’s A DELICATE BALANCE
THE BREASTS OF TIRESIAS by Guillaume Apollinaire
Wednesday, January 22 at 7:30pm
Wednesday, January 29 at 7:30pm
Directed by Nick Schroeder
In the play, set in Africa, a Frenchwoman, Thérèse, decides to become a man, and her breasts float away like two balloons; she is renamed Tiresias and becomes a general and a member of parliament. Between the first and second acts, her abandoned husband gives birth to over 40,000 children, all in one afternoon. Tiresias was a central figure in modernist attempts to explore sexual identity, playing a notable role in T.S. Eliot’s The Waste Land, Ezra Pound’s Cantos (1919-1970), and Virginia Woolf‘s Orlando (1928), about a man who becomes a woman and lives for over three hundred years. Originally written in 1903, THE BREASTS OF TIRESIUS was first staged in 1917.
ACCOMPANYING
WITCH
THE WITCH OF EDMONTON By William Rowley, Thomas Dekker, and John Ford
Wednesday, October 16 at 7:30pm
Wednesday, October 23 at 7:30pm
In our inaugural reading, THE WITCH OF EDMONTON is presented alongside Jen Silverman’s WITCH, a modern re-telling of the same story.
“The Witch of Edmonton has received considerable attention recently both from scholars and critics interested in witchcraft practices and also from the directors in the theatre. The play, based on a sensational witchcraft trial of 1621, presents Mother Sawyer and her local community in the grip of a witch-mania reflecting popular belief and superstition of the time.”
Readers for this event include Company Members Tootie Van Reenan and Allison McCall, joined by Guest Artists Jeff Ruel, George Sopko, Brooke Bolduc, and Tom Haushalter.